Footprint Thailand Handbook & Bangkok Noir
Labels: Andrew Spooner, Bangkok Noir blog, Chris Coles, Footprint Thailand Handbook, Thailand guide
Bangkok Noir Scene - Art, Literature, Music, Film
Labels: Andrew Spooner, Bangkok Noir blog, Chris Coles, Footprint Thailand Handbook, Thailand guide

Labels: Bangkok night, France, Frederic Mitterand, French Minister of Culture
Ralf Tooten, the award winning photographer, and the writer, Roger Willemsen, have published a book of photographs and commentary about the Bangkok Night Scene titled BANGKOK NOIR.Labels: bangkok noir, Bangkok novels, christopher g. moore, ralf tooten, vincent calvino


Toward the end of 2009 Heaven Lake Press will release a little book titled: The Vincent Calvino Reader’s Guide. It will contain all of the Calvino laws from the 11 books in the series, along with a couple of prefaces, essays, and interview about the Calvino series and a summary of all the books. The book's cover will feature Chris Coles' painting "One Night in Bangkok - Soi Cowboy".
Labels: Chris Coles painting, christopher g. moore, Heaven Lake Press, one night in bangkok, soi cowboy, the vincent calvino reader's guide
Labels: Bangkok, gangsters, Mindanao, russian arms dealer, Sri Lanka, Thailand, trafficker, Victor Bout

Thailand’s pulsing capitol hasn’t been depicted with this much flair and vivacity since the 1980's musical Chess; but in the exhibit One Night in Bangkok at the Forth Gallery this week, artist Chris Coles puts to paper the musical’s famous lyric: ‘One night in Bangkok and the world is your oyster’. Indeed, through vivid colours and loose shapes, Coles’s paintings portray that world, a neon subculture of Bangkok’s notorious nightlife where ‘the bars are temples but the pearls ain’t free’.
Opening launch: 5 Aug, 7pm Forth Gallery, 69A Pagoda St, Singapore (public welcome)
Labels: bangkok noir, bangkok paintings, Chris Coles, expressionist paintings, forth gallery, review, singapore show, time out singapore

Labels: art show, bangkok nightlife, Chris Coles, expressionist paintings, fourth gallery singapore, IndigNation Festival
Labels: Boys Town Bangkok, Michael Jackson, Silom, Surawong
Interview on TNN 2 by Suranand Vejjajiva (broadcast in Thailand April 2009):
Suranand: Hi Mr. Coles. How are you doing? I will call you Chris, Sawasdee krub.
Chris: Swasdee krub, Sabai dee mai?
Suranand: I thought you are not going to speak Thai!
Chris: Nid noi!
Suranand: You’ve been here how many years?
Chris: I first came to
Suranand: 14 years ago!
Chris: On a very big
Suranand: And you got stuck here.
Chris: I was here for 6 months or so then I have a nice office in Phuket, which is a pretty nice place to have an office. And we had boats going around Phag-nga, Krabi and Koh Phi Phi. I said Wow! pretty nice place. So after the movie, I went back to
Suranand: What did you do in the movie?
Chris: I was a studio executive in that movie, supervising the production.
Suranand: So you are a
Chris: Oh no, I am just a line guy involving with the physical aspects of the production. I was the production manager on LA Story, for instance, and Charlie Chaplin with Robert Downey.
Suranand: That’s a big transition towards art?
Chris: Well my favorite part of the film business has always been in the art department. My very first job out of film school I was working on the art department of Superman I. I was tagging around with this very high status English designer, and later I got sidetracked into the production side of it. But I always loved the art side of it. And on my family, there are quite a few artists in my family. As a hobby I always was drawing and then about 5 years ago I started doing art full time.
Suranand: So that’s when you start seriously doing art.
Chris: I started doing shows.
Suranand: Are you based here or in LA?
Chris: I kind of go back and forth a lot and go around
Suranand: I see, but you spend most of the time here.
Chris: I would say all of my visual ideas, certainly the more interesting ones, are coming from
Suranand: And that’s what we are going to talk about today because you have certainly been expressing yourself on what you see through a farang eyes, if I may say that, of what nightlife or what life in
Chris: Yes, I think there is a tremendous advantage actually for an artist to be an outsider because you are not inside the kind of bubble of received opinion of an education that each country has, including the U.S. So coming into Bangkok, my first week here working on the movie was just total chaos and disorientation. We just have no idea as an outsider what’s going on. Gradually I learned better to see some of the stuff that is behind the scene and very interesting and idiosyncratic stuff which only exist in Thailand.
Suranand: So things you see is not things I see.
Chris: Right, I see when I go to a place in
Suranand: But Thais don’t ask why, they just put it there?
Suranand: When you see that and you interpreted it, do you think Thais, the people who did that painting or that sign, subconsciously or consciously put it in. Is that what you think? Or you are interpreting it in a Western way.
Chris: I think Thais and many things Thai people do in their everyday life they don’t know why they do them actually. They just do them because Thai people do that. There is a very interesting book call “Very Thai” which explains to farang many very small Thai things and why they are done exactly that way. And farang people like myself, who are very interested in getting behind the surface in
Suranand: What kind of stickers they put on
Chris: Why the taxi dashboards have all that stuff on them. And we find that kind of thing very interesting and very revealing of Thai cultural characteristics and Thai people.
VERY THAI by Philip Cornwel-Smith
Suranand: A lot of people might not be familiar with your work on my show. The paintings here are just examples. I saw your website and on YouTube, you put your work on the screen for people who are interested to look at. But how do your characterize your art?
Chris: Well the art is every much in the expressionist style of paintings. The expressionist style began in Paris around 1890-1900, a lot of artists painting Paris nightlife scenes, like the Moulin Rouge scenes by Toulouse-Lautrec and Gauguin and some of the Paris artists at that time they started distorting people and colors in Paris nightlife to make them more dramatic and more interesting. Toulouse-Lautrec was a little bit representational but Gauguin and Picasso painted some Paris nightlife started doing unrealistic colors and unrealistic people’s faces. Then the Germans picked up on that around 1910-1920 especially the German artists in WWI saw a lot of killing, destruction and chaos. They came into
Suranand: I read in your website that when Hitler came to power, he ordered a lot of them destroyed.
Chris: Actually in most authoritarian rulers, Hitler, Stalin, etc., their art of choice is happy art, sunsets, blond people who look very strong who have a wife and a baby that they are very proud of, sun shining over behind them. They get very upset when they see art which shows mankind at a disturbed and a distorted negative way.
Suranand: Your paintings, you think it reflects the real
Bangkok Soi Dog Number One - Chris Coles
Chris: I think so. Especially, one of my favorites is “Soi Dog No. 1” and I think “Soi Dog No. 1” as you can see is a very beat up and battered soi dog. He probably has a one leg broken from a car running him over, he has teeth missing. You are not sure what he actually can see maybe he just can’t see anything any more.
Suranand: I can get this up right, yeah I am sure.
Chris: He has what I call a fighting spirit. You know he lives in the street. He got a favorite food cart that feeds him everyday. He got 3or 4 girl friends he likes to visit everyday.
Suranand: When Thais see this, in Thai “ma kang thanon,” they see stray dogs.
Chris: I noticed Thais are very kind to soi dogs.
Suranand: Of course.
Chris: They feed them and they take care of them, probably because that it gives them good karma.
Suranand: But it’s not an object of art, but for you it is.
Chris: Thai artists when he sees a soi dog he doesn’t think “oh, I should paint that soi dog.” Whereas I see the soi dog, I say, you know, he is kind of a symbol of Thai people tremendous resiliency, their tremendous ability to deal with adversity, and still keep going. And look forward to the next day. And soi dog has no bank account, he has no credit cards. He has no Mercedes.
Suranand: But he gets fed.
Chris: Everyday he eats pretty good food. You know it’s never too cold. His girlfriends look pretty good, at least as far as he is concerned. One in the corner over there is one of his favorites. And he has a pretty good day everyday and he is not too worried about the future.
Suranand: So it’s not all dark, although the image is.
Chris: No, I think what’s interesting in my paintings, although they are sort of dark in one way they are very hopeful in another way because they show people struggling with adversity and somehow find a way to survive. And they also show in an interesting way. For instance, my nightlife paintings never glamorize the nightlife.
Surnanand: Like this one.
Chris: For instance, this is a very famous neon sign among certain people, perhaps not the “hi-so” people, of the “Obsession” bar. It’s probably the most famous ka-toey bar in
Suranand: Many Thais are probably familiar with the sunshine artist. Why are you painting neon signs?
Chris: One reason I paint the neon signs because I think
Suranand: It’s a different point of view that you are seeing.
Chris: Right. In a lot of the magic of the Bangkok night which creates the magic which exists in the minds of people all over the world that Bangkok is somehow exciting, whether that’s just an illusion or not I don’t know, but they think it is. The neon signage in
Suranand: So you are now taking this to express that there is, I don’t know, another way of life?
Chris: I like to show that the Thai visual imagination is everywhere. It’s in the taxis, it’s in the signs, in how people dress, in how people do their make up, in how they decorate their restaurants, their clubs. You know, the visual imagination in
Suranand: I saw you start taking video clips of neon signs and put on YouTube.
Chris: The neon signs are very good but also the spirit houses are very visually skilled. The royal barges that exist are very interesting visually. You go all the way back to Sukhothai Buddhas, which are in the leading art museums in the world. There are pieces from Sukhothai in museums all over the world. That’s because the visual talent that existed even a thousand years ago was a very advanced visual talent.
Suranand: So it’s coming out
Chris: It comes out in everything. It comes out even when you go to Thai boxing, the colors, the costumes, what they wear around their arms, around their heads. Everywhere you look in Bangkok, E-san music show, for instance. Everywhere you go in Bangkok, especially if you are an outsider, you see very strong visual images everywhere, and they are created by Thai people not because that they are artists in the conscious sense but just because they think that this would be good and they make it that way.
Suranand: We need to take a break now, Chris. And we come back and talk about other paintings of yours. There are portraits and of course the ka-toeys. We will be back.
Suranand: I am with Chris Coles, who is kind enough to come with your paintings to this studio. Can you explain this one?
Bangkok Ladyboy Aree - Chris Coles
Chris: This is a painting of a Thai ka-toey, otherwise known as a lady-boy. And I painted quite a few lady-boys actually. And you noticed that when I paint a lady-boy, there is no or very little erotic or sexual implication. It’s basically painting the visual presentation of the lady-boy as she likes to present herself in the world of Bangkok, which is as a woman. And I got the idea actually from my daughter, Emavieve Coles, who is now a student at MIT university in the U.S., who came home from school one day and said “Oh daddy, did you realize that Leonardo, his studio in Italy was on a street where there were a lot of lady-boy hookers. And sometimes when he needed a model, he would go out on the street and pull one off the street to use as a model. And some people even say that the Mona Lisa was a lady-boy. That is why the Mona Lisa is so ambiguous.” And I said, “Wow, that’s a very interesting idea,” because
Suranand: Are you seeing things different from Thais because you are a farang?
Chris: I think being a farang in Bangkok is as though I got sent in from Mars on an interplanetary space vehicle. And everything I see I see from eyes of a Martian from another planet.
Suranand: But not every farang does
Chris: Some farangs are less alive visually.
Chris: Farang who have been here more than once and have a curiosity for actual Thai friends, how they live and how their culture comes about, like to go deeper into the Thai system and they are able to deal with the reality of Thailand without developing a negative point of view towards Thailand
Suranand: This is not negative.
Chris: I don’t think so. I think it shows
Suranand: Do you see the conflict between the day life and night life and whether they can exist together in the long run?
Chris: Well I think every city in the world,
Suranand: They are part of our society.
Chris: It is part of the diversity of a society and it’s also a very sophisticated complex outlook of a society’s problems and tensions. It’s a way of dealing with things in a fairly harmless non-violent way as oppose to blowing stuff up, killing people, and the other ways people deal with problems and tensions.
Suranand: When you paint something like this, how is it received in the States, you have a gallery in the
Chris: I have had shows in New York City, in Los Angeles, in Boston, and people are very attracted to the colors, the very vibrant colors, which are really coming out of the Bangkok color palette. I think
Suranand: Do they ask you whether “Oh! I saw this commercial of Thai society, it’s so different.” You don’t see Thai dancing in your paintings.
Chris: I think, you know, the people who go to art shows are already more highly educated group of people than the normal group of people and when they travel, they prefer to travel in a more complex manner than just the surface. And what they find interesting is getting below the surface so getting back to “Very Thai,” for instance, my friends who come here who are interested in learning about Bangkok, the first book I give them to read is not normal a tourist book but “Very Thai.”
Suranand: When I go to other countries, I don’t read normal tourist books.
Chris: They go in a Bangkok taxi not to go anywhere but to look at the dashboard, and then another taxi to look at another dashboard. And they will go to Chatuchak market in the morning or they will go to an E-san music show in some obscure part of
Suranand: There are a lot more art galleries open in
Chris:
Suranand: We are like a junction here.
Chris: It’s always absorbed other cultures and transformed some bits into Thai things. So it’s a very unique society, unique culture, and it has the potential to be a leading culture in terms of artistic production, design. I think a lot of the fashion designers here are doing very well. A lot of the interior decorators in
Suranand: What about Thai artists; have you met them?
Chris: Thai artists I meet and I go to shows almost every weekend. There are a few farang artists but there are a lot of Thai artists. I was at a show recently at HOF Art which is down in an industrial building off Ratchada, and there were maybe 20 Thai artists being shown. There was a rock band playing and maybe 400-500 people, a very exciting night for an art show. And there was a lot of interesting stuff there. There are a lot of Thai artists who are not famous. A favorite of mine is Nantana Phonak, I think that’s how to pronounce her name, and she does very similar expressionist style paintings of Bangkok night life. And her paintings reveal the stress and tension in her own life.
Suranand: And the skills?
Chris: Very bright colors, very interesting images she chooses to paint.
Suranand: How long are you going to keep painting?
Chris: I think my goal is to be like Matisse, not that I am as good as Matisse, who painted up to the day he died. There is a picture of him in his bed, he can’t even get up, and someone has put a stick in his hand with a pencil at the end of it. They put a big piece of paper on the wall. And he is sitting there drawing something with his stick up until the day he died. And some of his best work is his last work.
Suranand: Well, I hope to see around
Chris: I hope I am not going to die soon
Suranand: No, no, no you gonna paint more and reflect the Thai life which other people don’t see. Thank you for being on our show.
Labels: art, Bangkok, Chris Coles, expressionist paintings, Noir, Suranand Vejjajiva, Thai tv, TNN 2

Labels: austria, holiday, josef fritzl, thai bargirls, Thailand
Moving into the weekend, the capital is tense and the confrontation between the pro and anti-government shows no signs of lessening. Both sides are dug in. No independent third force has emerged which could come forward to end the crisis. The political situation is locked in a stalemate, a strange equilibrium, one that threats to tilt one way or the other by the hours, and once the balance shifts, no one at this writing can predict the consequences.
On Friday, there has been chatter about the intervention by the police, air force and navy (under government directive) to remove the demonstrators from the airport. On 7th October when tear gas was used to disperse demonstrator outside of Parliament, two people were killed and hundreds were injured. The deaths and injuries resulted in criticism of the government’s handling of the situation. Since then the authorities have been extremely cautious in the use of force.
But the politics remain fluid, uncertain, charged with high emotions, threats and accusations. No one seems to be completely in charge of the situation. Reports indicate that the government has gone to Chiang Mai. The implications of such a move are significant in itself.
I talked with a number of stranded tourists midday. They were Polish, English and American who were outside a ticketing office of an international airline. They looked confused, disgruntled and afraid. No place to stay, running low on money, and unable to find out when they can fly out of the country. Some of the tourists seemed numb, unable to process what was happening. Flying to another country, it doesn’t occur to most travelers that the airport might be occupied and shut down and the only way out is by train, bus, car or foot.
Like a good crime novel, there are the basic elements of conflict, plot and character. What is missing is resolution. A curtain of darkness and doubt has descended and on the other side there are whispers and movement, a clamoring as if a struggle is going on just out of sight. When the curtain goes up again, the show may go on with a new cast. Alternatively the events might be like those in a noir novel, which is all menace and the characters discover in some universes there is no way out.
Labels: bangkok noir, bangkok protests, christopher g. moore, coup d'etat, PAD, suvarnabhumi airport, thai military
Labels: Bangkok night, hi-so, thai police colonel
Bangkok Noir Author Christopher G. Moore - Chris ColesLabels: bangkok noir, christopher g. moore, PAD, Thai politics
Labels: Bangkok, Cambodia, FLDS Prophet, girls, Svay Pak, Warren Jeffs
Labels: Bangkok, Cambodia, Camorra Mafia, China, counterfeit goods, Italy, Naples, Thailand, Vietnam
Soi 4, just off Sukhumvit Road, is not quite as smooth as silk. A uniquely Thai blend of fermenting piss, rotting compost, exhaust fumes, and burnt-out cooking oils is rendered only more asphyxiating by the cheap incense smoldering by the ubiquitous makeshift shrine. Steam rises from the roadside foodstalls that cramp the narrow, potholed sidewalk; it is with great difficulty that it finally dissipates into the thick, damp air. A bewildering lineup of dead animals on a stick lie on display on pushcarts, alongside tropical fruit whose freshness has long evaporated on the foggy plexiglass shielding it from the flies and the dust. Whole roasted chickens sit on bare tables next to fake eyelashes and make-up, flanked by rows of size zero tank-tops and lingerie. Typically most transfixing to newcomer and repeat offender alike is the repugnant assortment of deep-fried crickets, roaches, locusts, and other bugs sold here by the bagful. They are a favorite with the go-go dancers, who can at times be spotted crunching lazily on the six-legged critters — occasionally plucking the leg of a grasshopper that has impudently lodged between their front teeth.
A ragtag army of hustlers and beggars is out in full force. The middle-aged females sprawled out on the wet pavement pull at every pant leg within their limited reach, imploring passers-by to look at the filthy, emaciated small children sleeping in their arms. Men with mutilated limbs shove their stumps into startled white faces for maximum theatrical effect. A blind, deranged man in tattered clothes wanders through the crowd, holding a cup half-filled with coins that jangle loudly as he violently bumps shoulders with pedestrians briskly walking past him. Touts selling Viagra, teddy bears, and cheap knock-offs of brand name wrist watches and sunglasses hassle every foreigner they come across, often placing the items in their prospective customer’s hands as if to make the ill-advised purchase a fait accompli. Fat American women have their pictures taken while riding a small elephant. Midgets in Catholic schoolgirl uniforms greet visitors making their way in. And a six-foot tall ladyboy poses before cell-phone cameras with a Middle-Eastern tourist shrouded in a black burqa. On the other side of the street, a crippled and scarred stray dog looks on, as if unsure of his next move, perplexed by the feeding frenzy unfolding before his every eyes. Rummaging through garbage is a tough business in this part of town.
“Haah-rrooow, weeeear-come, where you go sexy man?” The endlessly repeated mantra echoes all around, mixing in a thunderous cacophony with the undistinguished thumping sounds of techno, disco, and hip-hop, the languid falsetto flamed out by a local pop-singer, and the dire opening notes of Gimme Shelter blasted from the crackling loudspeakers of the Morning and Night Bar.
They are everywhere. Free-lancers stand shoulder-to-shoulder on sidewalks and alleyways. Others prepare for another long night of somewhat less than backbreaking work. They pack what little seating is available by the foodstalls and clutter the brightly lit convenience stores in a last-minute search for chewing gums, cigarettes, condoms, vaginal lubricant, lottery tickets, and travel-sized toiletries — the requisite tools of the trade. Others still lovingly pay homage to the Buddha, genuflecting with evident devotion before a shrine questionably adorned with garlands, plastic action heros, butter cookies, and freshly opened bottles of grape-flavored Fanta surrounded by swarms of flies. It is only upon completing the elaborate preparatory ritual that they finally report for duty, making their way into the go-go bars or joining their colleagues atop worn-out stools lining the wooden barroom verandas.
Nana Entertainment Plaza — the word “entertainment” serves as a euphemism for ejaculation in much of the country — is a disheveled three-story bazaar of cascading go-go bars, glaring red neons, and mildewy guestrooms rented out by the romp. Acts of unspeakable depravity are committed or tentatively agreed upon here. Men have seeped through the bowels of every respectable first world society, dripping all the way down here to feast on a veritable largesse of oriental game. Bronze-skinned, post-pubescent metrosexuals join limp septuagenarians carrying lifetime supplies of indispensable hard-on pills. Veteran sex fiends wear as decorations from previous, valiant campaigns t-shirts acquired in places as far flung as Cambodia, the Philippines, Brazil, Costa Rica, and the Dominican Republic. Most, however, populate the thick sludge of balding middle-aged men, tourist and expatriate alike, flaunting their trademark deformity — guts swollen from a lifetime of the old lady’s home-cooking and an eternity spent lounging in the slothful comfort of a livingroom couch.
Much like their patrons, the working girls come in all shapes and sizes. Most have the brown or burnt orange complexion of the Lao and Khmer people of Isan, the vast wasteland of depressed northeastern provinces surviving on meager rice crops, occasional handouts distributed by local officeholders, and a steady flow of remittences drenched in the bodily fluids of all manners of Western creeps. They are not all young, nor are they all pretty. Nor, for that matter, are they all women. With a few, blinding exceptions easily explained by the bulge in the man’s back pocket, the girls are rather well-matched with their employers du jour. Those whose looks afford them the luxury pride themselves in picking their dates carefully and discerningly, with a keen focus on physical appearance, dress, charm, and any information about net worth they might glean from a man’s consumption, mannerism, and eagerness to part company with money for no reason whatsoever.
The pocket-sized Lonely Planet guidebook that accompanies scores of tourists on their first, wide-eyed trip down here proclaims, with unmistakeable condescension and tone-deaf self-flattery, that “Beautiful [Thai] women will throw themselves at you, all for a modest sum (money or status).” Of course, that women would throw themselves at men for money or status fails to distinguish Thailand from any country on this earth. The operative word here is “modest” — what counts as money and status here buys you a stack of foodstamps and a welfare check back home. But for many Westerners, Bangkok’s legendary magnetism does not lie in its heavily discounted market rates. It’s rather that the services rendered in this town involve a measure of passion and lust that prostitutes elsewhere typically don’t offer.
For the local bargirl, after all, a long term relationship with a farang is prospectively the most secure of early retirement funds. Most are painfully aware that the clock is ticking inexorably against their capacity to earn incomes equivalent to those paid to mid-level corporate management in Thailand’s private sector — and several times the salary of most government workers. To make matters worse, their lifestyle mercilessly accelerates the aging process, making them look thoroughly washed up by age thirty. And when the music stops, in a few short years, a life less glamorous still awaits those left without a foreign husband. Not many among them particularly look forward to working the night shift in a factory, giving $5 handjobs in a seedy massage parlor, or sweating it out in the rice paddies upcountry.
So rather than engage in a single-night shakedown of the worthless pigs, the girls often take a more calculating, long-term approach to dealing with Westerners. They might not have the faintest scintilla of an idea of what they are getting into — most foreigners here posing a varying measure of danger to themselves and others — but many salivate at the chance of taking the devil they don’t know. Indeed, the instant cuddling may be somewhat unauthentic, the words they speak suspiciously sappy, and the loud orgasms just a wee bit contrived, but the attempt to get them to care is sincere enough. Call it “the fierce urgency of now.” And that makes for a damn good time, I guess, should you happen to be so fortunate as to be singled out as a potential one-way ticket out of the cesspool or, at the very minimum, a temporary shelter from its sickening stench.
The anthropologist Eric Cohen has it about right when he notes that there is “often no crisp separation in Thai society between emotional and mercenary sexual relationships.” If anything, it’s possibly even more complicated than that. If, specifically, it is the girls themselves who push individual relationships held together by regular side payments to quickly develop some emotional content — animated bouts of jealousy, prophanity-laced tirades, crying fits, and sometimes physical abuse after just a handful of encounters are far from uncommon — at the same time the girls go to some lengths to compartmentalize the demands of their careers from other aspects of their lives. And while they are quite aware of the stigma with which their profession brands them, they eagerly dispute any characterization of them as loose or promiscuous.
Quite aside from what the girls actively do, more or less consciously, it is the stories they tell that are frequently poignant enough to drive a dagger into the soft spots of even the most jaded, cynical, or sociopathic among us. A common thread runs through just about all such dismal narratives. In the background is a large and/or broken family where parents are always poor, sometimes abusive, and occasionally in the throws of an addiction to alcohol, gambling, or methamphetamine. As soon as she is old enough to make it on her own, if still much too early to do anything useful with her life, the girl drops out of school and moves to the big city.
The poor bitch, no education, marketable skills, or social graces to boot, comes to Bangkok to face quite the conundrum. One option is to work 12 hours a day in a convenience store, scrub the latrines at a hotel or a private home, or serve tables at a restaurant. That only gets her about 6,000 Baht (less than $200) per month. And after paying rent for a 150-square-foot shared hole-in-the-wall, not much is left for herself or her family. The other option is to sleep until mid-afternoon, lounge around for a while, take a leisurely promenade shopping for faux name brand clothes and accessories, and finally make it to the bar at the late hour of her choice. At work, she has a drink or two, suits up in boots and bikini, takes 20-minute turns “dancing” — more like wobbling listlessly around the pole with a conviction and energy evocative of Shakira on Xanax — and finds some foreigner to screw at the fixed rates that exist for short-time and long-time romps. Between the regular salary the bar corresponds, the commissions on “barfines” and “lady drinks,” and a hundred percent of the fees paid by the customer directly to the girl, a fraction of the effort (not to mention the humiliation) generates an income at least five times as large as that guaranteed by SevenEleven. If the girl is pretty, charming, and has a strong enough stomach to fuck multiple strangers a day, her monthly income may exceed 2,000 American dollars — more than a good chunk of her own customers make. More empowering still, the status of a young girl otherwise as authoritative as the water buffalo parked underneath the stilted family home in the provinces soars as she becomes the family’s chief breadwinner.
Beyond this skeletal plot, variations on both theme and cast of characters are legion. Many of the girls have one or more children living with their grandparents in Isan. Their eyes well up when they are pushed to admit that the kids no longer recognize their mothers — much less pay attention to anything they have to say — when they go back for a rare visit once or twice a year. Mom or dad might have initiated the girl to the time-honored trade by selling her virginity to an acquaintance of their choice. Ever present is also a younger sibling whose studies are being subsidized by the big sister turning tricks in the big town. But it’s the dangerous Thai ex-boyfriend who’s invariably the most interesting character. He might enter the storyline as a thug, a drug dealer, or a deadbeat dad. Or he might simply be the girl’s first love, the man who broke her heart when he walked out with someone else, got thrown in jail, or better yet perished in a barroom brawl, a drug overdose, or an all-out shootout with police. One girl I met had the bullet wounds to corroborate the harrowing story. Entry and exit.
To be sure, the debauchery on permanent display at Nana Plaza is somewhat extreme, even by Thai standards, but similar scenes can be witnessed all over town. So for anyone who has ever spent any time in Bangkok, to read the ongoing debates on morality and sex in the editorial pages of Thai newspapers is essentially to venture into a parallel universe — a petty bourgeois black hole whose existence is quite distinct from the everyday reality of Bangkok’s busy streets. Even as the country was being transformed by its rulers into a degenerate open-air bordello — a veritable beggars’ banquet — the Thai press has spent much of the past century nostalgically lamenting the decline of Thai culture reflected in the much too revealing outfits now worn by city girls, the much too suggestive dances they can be observed performing in local discos, and the much too evident loss of propriety exhibited by teenagers who openly date their classmates in the absence of a formally proffered, carefully pondered, and solemnly approved marriage proposal. In those pages, one can find stern condemnations of “Coyote dancing” performed by bartenders in nightclubs as a practice that threatens to irreparably corrupt the city’s youth. Or one can find discussions raging on about the merits of the government-imposed ban on pornographic websites. All websites found to include obscene content, in fact, are blocked by the ever-blundering Ministry of Information and Communication Technology — a fancy name for “Ministry of Propaganda” whose most insidious, Goebbelsian aspirations are undermined by the comical incompetence exhibited by just about every government agency in Thailand. Laughably swept under the rug is the strident dissonance between the government’s ongoing moral crusade and the fact that even the most depraved acts featured on the world wide web are offered by scores of local women, at every hour of the day and night, to anyone in Bangkok with the means to afford an internet connection.
The government’s hypocrisy on matters of sex and prostitution has risen to new, dizzying heights in the past few weeks. Upon learning that cash-strapped, if notoriously consumption-crazed college students in Bangkok have increasingly taken to advertising sexual services on social networking sites, the government feigned alarm, indignation, and grave concern for the threats posed by the practice to the morality of the city’s youth and the integrity of the country’s social fabric. As if to highlight the severity of this gathering danger to Thai society, it was the puppet Prime Minister himself who took the time to personally reassure the country’s bourgeoisie that the government would swiftly intervene — cracking down through the usual admixture of underhanded censorship and wasteful re-education campaigns aimed at teaching students the “right values.” It’s anyone’s guess, really, where teenagers in Bangkok would have learned the “wrong” values. Most probably, it was the growing exposure to Western culture and media that tragically led them astray.
In a country where tens of thousands of young women — possibly as many as several hundreds of thousands — suck, fuck, and swallow for a living, one might ask what the hell is the point of imposing a ban of internet pornography, of lamenting the dangers of pre-marital sex, or of expressing alarm over a handful of students who screw their classmates to finance their weekend shopping. And if modesty, chastity, and innocence are so important to the idea of Thainess, it may baffle some that purists and cultural warriors would spend so much time fending off comparatively small threats to that ideal. What many foreigners do not understand, however, is that the filthy whores who have spent decades fueling the nation’s growth, keeping entire villages afloat, and filling to the brim the coffers of the state don’t count. Nor do the large numbers of provincial women in Bangkok — whatever their day job happens to be — who are well known to be available for liaisons involving some (if perhaps less direct) form of cash payment.
For the smug petty bourgeois, whose broken English is just good enough to read brain-dead editorials in the Bangkok Post or The Nation, provincial girls who live in Bangkok are not really citizens of Thailand. Or, at least, they are not citizens in the same way they are. These women, after all, belong to a social class whose sole prerogative is to grovel, in the heinous cosmology of the poo yai. It’s not merely to be poor — if not so poor as to inconvenience the highest authorities of the state into making token gestures of support — but rather to be content with the prospect of always being poor.
As such, debates in the Thai media focus almost exclusively on the sexual mores of middle/upper class city girls — and, occasionally, the peasant women who are still expected to serve as a symbol of cultural purity for the comfort of the Bangkok elites. The ubiquitousness of the sex industry in Bangkok is not inconsistent with the elites’ image of Thailand as a sexually demure, conservative country. Nor, for that matter, does it undermine their self-appointed role as the upholders of that myth. The army of streetwalkers, go-go dancers, and tentacled masseuses working in Bangkok, then, are not commonly regarded as the long forlorn daughters whom the double-breasted, uniformed, and garishly bejeweled fathers of the nation have sold into prostitution. Far from being gratefully acknowledged for the heroic contribution they have made to the country’s prosperity, they are rather more conveniently ignored — at least when they are not being patronized or scapegoated as the loafing, conniving reprobates single-handedly responsible for giving the country a bad name.
Labels: Bangkok night, bangkok noir, KhiKwai.com
Labels: Bangkok, Isan, massage, Ratchada, service girls
Labels: bangkok nightlife, chris coles expressionist paintings, International Conference, U.S. Senator
Labels: baby elephant, Bangkok, Big Boss, nana plaza, Om Pang
Elliot Spitzer Looking for Hi-End Love at Bed Supperclub in Bangkok - Chris ColesLabels: Bangkok, Bed Supperclub, Elliot Spitzer, hi-end love
Client Number 9, Elliot Spitzer's Girlfriend Kristen (aka Ashley Alexandra Dupre) performing with her band Aime Street at Bed Supperclub Bangkok - Chris ColesLabels: Amie Street Band, Ashley Alexandra Dupre, Bangkok, Bed Supperclub, Chris Coles, Client Number 9, Elliot Spitzer, Emperors Club VIP, Kristen, Noir
The city of Bangkok, also known as Krung Thep or City of Angels, is an almost perfect setting for noir fiction, films, music and paintings, an artistic movement known as Bangkok Noir.
Bangkok is a kind of Open City, a chaotic and immense urban center home to millions of people from all over Thailand, Southeast Asia and the world. Due to relatively lax visa requirements, almost anyone with the money and air ticket can show up and stay for at least a month if not a lifetime. As a result, Bangkok attracts various criminals, low lifes, scam artists and fugitives from every country on earth. Sometimes, they lie low, licking their wounds and planning their next foray in their home territory. Sometimes, they invent business in Bangkok itself, trafficking, drug smuggling, arms dealing, securities fraud, counterfeit goods, nightclubs, whatever.
The Nigerians from Lagos specialize in the drug business, mainly heroin coming from Burma and Laos, headed out to the world. Gangsters from Mumbai wash millions thru Bangkok real estate while they plan their next moves back in India. Yakuza from Japan buy meth for shipment to Tokyo as well as recruiting an endless river of Thai and Southeast Asian women for their Japanese brothels.
The Russians and East Europeans ship impoverished but sometimes beautiful women from Uzbekistan, Moldava, Ukraine, and Valdivastok to nightclubs and brothels in Bangkok, Shanghai, Macau and Hong Kong. Burmese generals, Chinese swindlers, Australian bar owners, German drug dealers. Name any country and there is at least one representative of its criminal underworld resident in Bangkok. Not to speak of the Thai police and military as well as Thailand's own homegrown thugs and godfathers.
For fiction writers, filmmakers, musicians and artists based in Bangkok, there has never been a richer source of raw material. Between the gangsters, the beautiful girls, the vibrant nightlife and the gigantic scale of the city itself, full of its diverse millions and their struggles, some penniless, others billionaires, some living in third world slums, others in super luxury penthouse condos, some riding in buses belching raw black smoke, others in sleek S-class Mercedes, it is a setting for a million stories, films, songs and paintings
There is a whole genre of noir fiction already published with the Bangkok crime fiction writer, Christopher G. Moore leading the way along with Jake Needham and more recently, John Burdett and Stephen Leather.
Christopher G. Moore's Calvino books follow an American Private Detective working the atmospheric Bangkok Expat scene. The eight Calvino books are filled with wonderfully cynical and nihilistic insights into Thailand's Expat community as well as the unique and complex Thai Way of looking at life and the world. THE RISK OF INFIDELITY INDEX, PATTAYA 24/7, MINOR WIFE and CUT OUT are some of the best ones.
Jake Needham's stories, BIG MANGO, THE AMBASSADOR's WIFE, KILLING PLATO, TEA MONEY, LAUNDRY MAN, move from one seedy set to another, searching for goodness in a sea of sleaze.
John Burdett got off to a fast start with the best-selling BANGKOK 8, featuring a stylish and cunning Thai ladyboy, then BANGKOK TATTOO and most recently, BANGKOK HAUNTS.
Stephen Leather started with the internet published PRVATE DANCER which became a huge hit. COLD KILL is his latest.
Thai filmmakers churn out a constant stream of gangster films set in Bangkok. The original BANGKOK DANGEROUS by the Pang brothers was gritty, edgy and real. The Hollywood re-make of BANGKOK DANGEROUS starring Nicholas Cage will be more glossy and stylish, featuring some of the modern hi-end side of Bangkok mixed in with the low-end bottom.
Another Thai filmmaker, Smith Timsawit, made PROVINCE 77, starring Jeremy Thana, Pete Tongchua and the ex-Miss Thailand Metinee Kingpayome. The film has a fabulous original soundtrack from Thaitanium, Thailand's Number One Hip Hop band. Set in Bangkok and Thaitown, Los Angeles, the film portrays violent Thai gangsters fighting ruthlessly for territory and status in a nihilistic and cynical world.
In the art area, Chris Coles series of expressionist style paintings titled, THE BANGKOK NIGHT, PORTRAITS FROM PATPONG, BANGKOK NEON, BANGKOK LADYBOY, BANGKOK NOIR, BANGKOK SOI DOG, BANGKOK BOYS TOWN, BANGKOK PORTRAITS and the latest series, ONE NIGHT IN BANGKOK, use as their setting the lurid and colorful world of Bangkok's notorious nightlife. Heavily distorted lines and strong, clashing colors dominate in these paintings which portray a chaotic, edgy noir world of colliding intention and misplaced desire, lives out of balance, male-female compulsion, alienation and disassociation. They echo the German Expressionist paintings from Berlin in the early 1900's as well as the Paris nightlife paintings of Toulouse-Lautrec, Degas and the early Picasso.
Labels: bangkok dangerous, bangkok noir, chris coles expressionist paintings, christopher moore, jake needham, john burdett, nightlife, pang brothers, pegasus, stephen leather, thaitanium, vincent calvino
Labels: bangkok nightlife, patpong, Thailand
Labels: Bangkok, city father, ladyboy, los angeles art collector, Thailand

The Hollywood remake of BANGKOK DANGEROUS, also by the Pang brothers, this time starring Nicholas Cage, comes out in the summer of 2008 and should be Hollywood's first and, to date, best look at the excitement, chaos and wonder of modern Bangkok and the Bangkok Night.........
Here are two links, the first to the Spanish language version of the trailer and the second to the English language version:
Link to BANGKOK DANGEROUS trailer in Spanish
Labels: bangkok dangerous, bangkok noir, nicholas cage, pang brothers, thai film
Labels: Bangkok Boys Town, gay, patpong, Surawong, Thailand
Labels: Bangkok, Cambodia, Khmer, Poland, Polish gentleman
Labels: Bangkok, Chris Coles, expressionist paintings, Isan bargirl, leonardo da vinci, mona lisa, patpong, thai ladyboy, transvestite hooker
Nana Beer Garden Girl - Chris ColesLabels: bar girl, German man, Nana Beer Garden, Soi Nana
Labels: Bangkok, Beverly Hills, crime boss, Isan bargirl, nana plaza, viagra
Labels: Bangkok, Costa Rica, Estonia, Havana, Italian, nana plaza, nightlife, patpong, Prague, Ratchada, sex tourist, soi cowboy, Sukhumvit, Thailand
The millions of tourists who each year wonder through Patpong and make it all possible come from all over the world. Not exactly shining examples of First World bliss, they are often grotesquely overweight, dressed in a shabby assortment of sweat stained t-shirts, shorts and flip-flops, and weighted down with knapsacks, cameras and shopping bags filled with worthless knick knacks. Many of them are drunk and jetlagged, their faces showing the pain of unfulfilled and despairing lives.
What these First World Ambassadors are looking for in the primordial mire of Patpong is an indecipherable mystery, even to themselves.
As for the Thais, Patpong’s simply a place to work and make money. No matter how strange and shoddy the endless river of foreign tourists may look, by some set of circumstances very few Thais comprehend, these primitive beings are usually loaded with cash and happy to spend it on items which appear to be completely unnecessary. Counterfeit watches that last only a few months, girls who don’t actually want to have sex, ladyboys who are not even girls but do want to have sex and an endless stream of beer that will pass through their bloated bodies in less than an hour.
At some point, the Patpong District will be torn down to make way for gleaming hi-rise offices and whatever Patpong is presently thought to be or actually was will gradually recede into the realm of mythic recollection, a moment in time between Bangkok’s murky Third World past and its bright First World future. Perhaps one day, the portraits in this blog will be all that’s left……….
Labels: Bangkok, bars, Expat, gogo, nightlife, patpong, Thailand
Labels: Bangkok, nana plaza, soi dog, welcome to thailand
Labels: Arab sex tourist, Bangkok, bangkok nightlife, fundamentalist, Grace Hotel, Gulf States, islam, Kuwait, muslim, Saudi Arabia, thai bargirls
Labels: Bangkok, desire, illusion, karma, kathoey, ladyboy, nana plaza, Obsession Ladyboy Bar, plastic surgery, predator, reincarnation
Labels: American CEO swindler, Bangkok, patpong, sleaze
Midnite Bar Soi Cowboy - Chris ColesLabels: bangkok nightlife, Isan bargirl, Midnite Bar, soi cowboy
Labels: aids, Bangkok, Bangkok Boys Town, Buddhism, Buddhist, farang, gay, Thai Rent Boy, Thailand
In the middle of the day, Bangkok is a vast smog-choked metropolis with some of the world’s most horrendous traffic, flat lighting, high humidity, its shoddy infrastructure on full display, sidewalks with gaping holes, streets dug up and paved over way too many times, buildings streaked with rust and mildew, bits of rotting garbage and trash in every direction, thousands of soi dogs wandering, sniffing, pooping and peeing.
Dali Bar Soi 33 Sign - Chris Coles/2006
Obession Ladyboy Bar Nana Plaza - Chris Coles/2006
Dollhouse Soi Cowboy - Chris Coles/2006
What follows is a taste of the Bangkok Night’s signs along with some of the mood and feeling they create, enticement, the promise of pleasure, glowing neon colors hissing in Bangkok’s humid air.
Labels: bangkok neon, bangkok nightlife, bangkok noir, Body Massage Ratchada, Chris Coles, Dali Bar, Dollhouse Soi Cowboy, Glow Bar, Monet Club, Obsession Ladyboy Bar, Rainbow Bar Nana Plaza, Soi 33
Labels: bangkok neon, bangkok noir, Chris Coles, thai pop music, thaitanium
Labels: Bangkok, Buddhist, Hindu, Japanese Karaoke, spirit house, Thailand
There 's an intensity in Bangkok ladyboys, a fire burning inside. They are from every region of Thailand, drawn to Bangkok to live invented lives according to how they imagine they are. No matter how wacky they may sometimes seem, they are following their dreams and desires.
No one knows how many ladyboys there are in in Bangkok but there must be at least several hundred thousand. Called Kathoey in Thai, they are everywhere in the world of the Bangkok Night. Sometimes in the overt and flashy ladyboy revues favored by the busloads of Taiwanese and mainland Chinese, dressed up as Las Vegas showgirls, kind of obvious, exaggerated and fun.
Bangkok Ladyboy Pim 2 - Chris Coles/2007
Patpong Ladyboy - Chris Coles/2007
More or less accepted as an in-between or Third Sex by Thais, there is talk of building a special ladyboy prison in order to clear up the confusion as to which prison ladyboy criminals should be sent, depending if they are pre-op or post-op, still equipped or physically altered. The Operation is so common in Bangkok, there are ads with price lists and special discounts in the leading newspapers. Tourists from all over the world who want the Operation come to Bangkok for the expertise of the surgeons as well as the high standard of the hospitals and relatively low price.
Los Angeles Real Estate Lawyer in Bangkok Ladyboy Bar - Chris Coles/2007
But all of that is the iceberg that we see. Beneath the surface, hidden from view, there are ladyboys working in every strata of the Bangkok world, banks, offices, hotels, restaurants, quiet bars and small KTV's, Isan music places, department stores, television, film, music, manufacturing, marketing, fashion and textiles. Some are even married to ordinary Thai men and live mundane suburban lives without their neighbors having a clue.
The history of ladyboys goes back thousands of years, in every culture and country. Ladyboy gods can be found in India, Ancient Greece, Africa and Asia. The ambiguity of the hermaphrodite being, half-woman, half-man, seems to arouse universal curiosity and interest. Some say that even the Mona Lisa was a ladyboy, one of the many transvestite hookers that Leonardo da Vinci pulled off the streets near his studio to use as models. Perhaps that is the key to her mysterious smile.

Ladyboy at Spasso Bar Bangkok - Chris Coles/2007
Ladyboys have much to teach is about ambiguity and desire, surface appearance and multi-layered realities, the role of illusions and visual signals, the impossibility of certainty and what it is to follow a dream. Trying to paint them is to enter a world full of mirrors, confusing and infinite, sometimes ugly and sometimes full of a strange and poignant beauty.
Bangkok Ladyboy Natalie - Chris Coles/2007
Labels: bangkok nightlife, bangkok noir, kathoey, ladyboy, nana plaza, patpong, Third Sex
Labels: American, Bangkok, gay, Koh Samui, Pattaya, Phuket, Silom gay clubs, Thailand, U.S. Embassy
Labels: Bangkok, Bosnia, brothels, girls, Kosovo, macau, Serbia, Serbian drug dealer, Shanghai
Labels: bangkok noir, Chris Coles, thai pop music, thaitanium
Belgium Brothel Owner Bangkok - Chris Coles
German Sex Tourist Bangkok - Chris Coles
Drug-Crazed Backpacker Khao San Road Bangkok - Chris Coles
Labels: backpacker, bangkok nightlife, bangkok noir, Chris Coles, con artists, expressionist paintings, gangsters, khao san road, sex tourist, thugs
Labels: Bangkok, drug dealers, Hezbollah, Lebanese, Shiite, Thailand
Labels: bangkok noir, Casanova Bar, John Mark Karr, Ladyboy bars, nana plaza
French Gangster Bangkok - Chris Coles
Labels: bangkok nightlife, bangkok noir, Chris Coles, drug dealers, gangsters, thugs
Labels: Bangkok, bangkok gallery, bangkok nightlife, Bed Supperclub, Chris Coles, chris coles expressionist paintings, nicholas cage
Israeli Gangster Bangkok - Chris Coles
.....he doesn't give a shit about politics, religion or race, he's only interested in how much he can make off whatever there is to make it from.......girls from Moldova, Burmese heroin, weapons from Cambodia, the only things that count are his percentage and the rate of return.....some of his most reliable partners are Hezbollah Shiite Muslims from Lebanon, their word is their bond and they always stick with the deal.........some of his profits are going into a chain of Bangkok Spas and a new golf course in Vietnam...........
Labels: Bangkok, bangkok noir, Bangkok Spas, Burma, Cambodia, heroin, Hezbollah, Israeli Gangster, Moldova, Muslims, Shiite, Vietnam
Nana Plaza Agogo - Chris ColesLabels: agogo, Bangkok, bangkok nightlife, Expats, nana plaza
Labels: Bangkok, Chris Coles, expressionist paintings, soi dog
Labels: Asia, Asian Guys, Bangkok, beautiful girls, Body Massage Ratchada, Brazil, Europe, Hong Kong, KL, ladies, poseidon club, Seoul, Shanghai, Singapore, Thailand, Tokyo
Labels: Asian Guys, Bangkok, Bed Supperclub, farang, fashion, fashion designer, gay, German, nightlife, style, thai bargirls
Labels: Bangkok, Bangkok Boys Town, Dream Boy, gay, gogo bars, Thai men, Thailand
Labels: Bangkok, bars, business guys, Japanese Karaoke, KTV, nightclubs, Thailand, Thaniya Plaza
Labels: babes, Bangkok, bangkok nightlife, Bed Supperclub, Stephen Spielberg
Labels: Bangkok, Chris Coles, Dali Bar, Gauguin Bar, Goya Club, Isan bargirl, Lao, Monet Club, Picasso Bar, Renoir Club, Soi 33, Sukhumvit, Van Gogh Bar
Labels: bargirl, Expat, Rainbow Bar Nana Plaza
Labels: Bangkok, butterfly, caterpillar, flowers, neon
Labels: Bangkok, Hyatt Erawan Hotel, nightlife, Spasso Bar, Thai girl
Labels: Bangkok, German guys, reincarnation, soi cowboy, soi dog, thai bargirls, tourists
Labels: bangkok nightlife, Chiang Rai, China, hi-end escort girl, Yunnan Province
Labels: All3Media, Bangkok, Bed Supperclub, British TV Boss, nightlife, Steve Morrison
Labels: agogo, Bangkok, bargirl, Isan, nightlife, soi cowboy, Thailand
Labels: Armani, bangkok nightlife, Bed Supperclub, Chris Coles painting, Purple Butterfly Girl, Q Bar Bangkok, ultra-chic
....the girls at Tilac Bar are often mothers of one or two young children left back in dusty farming villages with grandparents. They finish school at the end of sixth grade, have their babies before they turn twenty and come to Bangkok after their husbands die or leave, looking for a way out, trying to be stylish, hoping for the best and sending 2000 Baht a month back home......
Labels: Australia, bangkok nightlife, bargirl, California, England, Germany, Isan, soi cowboy, Tilac Bar
Bangkok OK!: A lively and well-informed blog on the Contemporary Art Gallery and Culture scene in Bangkok and the rest of Thailand
EXPRESSIONIST ARTISTS LINKS:

Christ Entry into Brussels by James Ensor (or Sukhumvit & Soi Nana Midnight 2007)
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Three Punters in Antwerp early 1900's by James Ensor (or late night Patpong 2006.......)


Tahitian Girl circa 1900 by Paul Gauguin (or Isan girl at Mona Lisa Ratchada Bangkok 2006........)

Hot Lips by Gronk
(or Isan Girl Soi 33 Sukhumvit Bangkok 2007...)
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Berlin Nightlife early 1900's by George Grosz (or Nana Plaza Bangkok 2006........)
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Berlin Prostitutes early 1900's by Ernst Ludwig Kirchner (or Poseidon Club Bangkok 2006........)

Prostitute Vienna 1900 by Gustav Klimt (or Pegasus Club Bangkok 2006......)
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Punter in Vienna early 1900's by Oskar Kokoschka (or Bangkok Expat on the prowl 2006.............)
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Moulin Rouge demimonde and punter Paris early 1900's by Toulouse-Lautrec (or Renoir Club Soi 33 Bangkok 2006........)

Berlin Nightlife early 1900's by Emil Nolde (or Thigh Bar Patpong Bangkok 2006..........)

Paris Nightlife early 1900's by Picasso (or CM2 Club Bangkok 2006.........)

Prostitute Paris early 1900's by Picasso (or Picasso Bar Bangkok 2006............)

Five Prostitutes from the brothel on Avignon Street in Barcelona frequented by Picasso (or Eden Club Bangkok 2006.............)
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Berlin Nightworkers early 1900's by Karl Schmidt-Rottluff (or late night Sukhumvit Road Bangkok 2006.....)
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Vienna Punter early 1900's by Egon Schiele (or Goya Bar Bangkok 2006.....)

French Dance Hall 1900 by Vincent van Gogh (or Nana Disco Bangkok 2006.....)
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Dancer at the Rat Mort nightclub Paris early 1900's by Maurice de Vlaminck (or Thermae Bangkok 2006....)
BANGKOK THAILAND ART AND ART GALLERY LINKS:
BangkokRecorder.Com: Webzine Guide to Bangkok Art, Music, Culture Scene - (www.bangkokrecorder.com)
Hof Art: Bangkok's latest and most trendy new gallery on Ratchada Road - (www.hofart.net)
Diacritic.Org: R.Streitmatter-Tran's lively blog on Southeast Asia Art Scenes - (www.diacritic.org)
NaphoArt Gallery showing the work of interesting Thai Artist Nantana Phonak - (www.naphoart.com)
Art Galleries in Bangkok, Thailand - (www.rama9art.org)
ThailandMuseum.com - Links to All the Museums in Thailand - (www.thailandmuseum.com/en_map.htm)
Thailand Art History Links by Christopher Witcombe - (www.witcombe.sbc.edu)
Art Galleries and Museums in Bangkok and Thailand from ThailandPage.com - (www.thailandpage.com)
Rama9Art.Org Bangkok Thailand Art Scene Info - (www.rama9art.org)
Verver Gallery and Web Magazine Bangkok - (www.verver.info)
100 Tonson Gallery - (www.100tonsongallery.com)
Teo + Namfah Gallery - (www.teonamfahgallery.com)
Art Room Gallery - (www.art-room-gallery.com)
Project 304 - (www.project304.org)
La Lanta Gallery - (www.lalanta.com)
Thai Fine Art Gallery - (www.thai-fine-art.com)
Art Bangkok - (www.artbangkok.com)
44 Arts Thailand - (www.44artsthailand.com)
Queen Gallery - (www.queengallery.com)
Thai Art Project - (www.thaiartproject.org)
Neilson Hays Library Rotunda Art Gallery - (www.neilsonhayslibrary.com/rotunda.htm)
Bangkok Artgazine - (www.artgazine.com)
Art Cafe Thailand - (www.artcafe-thailand.com)
Asia Art Mart - (www.asiaartmart.com)
Folk Art Thailand - (wwwfolkart.com/se-asia/thailand)
ERA Art Portal Thailand - (www.era.su.ac.th)
Akko Art Gallery Bangkok Thailand - (www.akkoartgallery.tripod.com/Bangkok/index.htm)
Art at Play Gallery in Bangkok's Silom District - (www.artatplay.com)
H Gallery Bangkok Thailand - (www.hgallerybkk.com)
Liams Gallery - (www.iamsgallery.com)
Kexin Art Gallery Bangkok Thailand - (www.kexinart.com)
La Luna Gallery Bangkok Thailand - (www.lalunagallery.com)
Somjai Reiss Gallery Bangkok - (www.thaipainting.com)
Tang Gallery Bangkok: Contemporary Art from China - (www.tanggallery.com)
Thavibu Gallery Bangkok Thailand - (www.thaivibu.com)
Art4D.com: English Language Web Magazine Featuring Trends in Thai Art and Design - (www.art4d.com)
Asia-Art.net: Contemporary Thai and Asian Art Info - (www.asia-art.net)
Art Magazine Links from ArtThailand.net - (www.artthailand.net/articles_links.php)
THAILAND LITERATURE, ART, AND CULTURE LINKS & BLOGS:

Bangkok Inside Out by Daniel Ziv and Guy Sharett from Equinox Publishing
(Bangkok Inside Out is a very perceptive and witty look at the trendy modern side of Bangkok in all its funky glory)
Vincent Calvino, Christopher Moore's Bangkok Expat Private Eye Website
www.NotTheNation.com: a lively satirical take on the Thai political and cultural scene
www.bangkokrecorder.com: Trendy Webzine Guide to Bangkok Art, Music, Culture Scene
www.ThaiPoppers.Com: Weekly Guide to Bangkok Pop Music Scene
James Eckhardt, Author of BANGKOK PEOPLE
Roger Beaumont, Author of humorous books about Thailand
Stephen Leather (author Bangkok Noir novels PRIVATE DANCER & COLD KILL) - (www.stephenleather.com)
Thai Literature in Translation Website - (www.thaifiction.com/english/list.html)
Asia Books Online Bookstore for Thailand Related Books and Authors - (www.asiabooks.com)
Bangkok Post, an entertaining English Language Newspaper in Bangkok - (www.bangkokpost.com)
AARA - (www.yipintsoi.com/~aara/news.html)
Bangkok2's Blog - (www.bangkok2.com/blog/)
Bangkok Noir Blog - (www.bangkok-noir.blogspot.com)
AboutTV Thai Art Channel - (www.superchannel.org/Home/Profile/Channels/ABOUT)
art4d Blog - (www.art4d.com/blog)
diacritic Blog on Vietnam and Southeast Asia art scene - (www.diacritic.org/blog)
Beauty Suit Blog - (www.beautysuit.blogspot.com)
www.FarangOnline.com & www.Untamed-Travel.com - Ironic and witty cultural collision take on contemporary Thailand and Asia
Speechless in Bangkok Blog - (www.speechbkk.blogspot.com)
BKK to the Future Blog - (www.bkkfuture.blogspot.com)
The Bob Boonhod Blog - (www.boonhod.blogspot.com)
Platform BKK - (www.bangkok.typepad.com/platform)
The Land News Blog - (www.thelandnews.blogspot.com)
Som's Other World Blog - (www.sutthjirat.blogspot.com)
Angkrit's Blog - (angkrit.blogspot.com)
Pated Blog - (www.pated.wordpress.com)
WORLD ART MUSEUM LINKS:
Los Angeles County Museum of Art
Metropolitan Museum of Art New York
Lenbachhaus Museum Expressionist Art Munich
National Museum Bangkok Thailand
Neue Galerie Museum of Expressionist Painters New York
Norton Simon Museum Los Angeles
Expressionist Paintings at Portland Maine Museum of Art
Links to Art Museums Around the World from Saatchi Gallery
World Art Museum Links from ArtThailand.net
ASIAN ART GALLERY LINKS:
Kwai Fung Hin Art Gallery Hong Kong
Plum Blossoms Art Gallery Hong Kong
asiArt.com Vietnamese Artists Gallery
Kicon Vietspace Vietnamese Artists Resource
VietnamArtBooks.Com Vietnamese Artists Resource
Myanmar Gallery of Contemporary Art Singapore
Asian Art Gallery and Resources Links from ArtThailand.net
ART MAGAZINE LINKS:
Art Magazine Links from ArtThailand.net
WORLD ART GALLERY LINKS:
Art Galleries in Munich, Germany
Art Galleries in London, England
Links to American Art Galleries, Openings and Shows in USA
Links to Art Gallery Openings and Shows in London and UK
Links to Art Gallery Openings and Shows in Germany
Links to Art Galleries, Openings and Shows in Paris and France
Art Galleries in Los Angeles, California
Art Galleries Bergamot Station Santa Monica, California
Art Galleries in Bangkok, Thailand
Timothy Yarger Fine Art Gallery in Bangkok and Beverly Hills
Leslie Sacks Gallery in Los Angeles
Links to Art Galleries and Art Dealers Around the World from Saatchi Gallery website
ART AUCTION LINKS:
Sotheby's Art Auction House Website
Christie's Art Auction House Website
GENERAL ART RESOURCE LINKS:
AbsoluteArts.ComArt History Resources on the Web: Art Links by Christopher Witcombe
ArtIndustri.com, Directory of Artists, Art Movements, Art Info, Art Supplies
Arts5.Com Art Links and Resources Site
Art Schools and Art Colleges Links from Saatchi Gallery
Gallery Worldwide Art Rsources and Links
Art Resources Links from ArtThailand.net
Links to UK and Europe Art Related Publications and Media
YourArt.Com Artists Links Site
ArtPrice.com - 3.2 Million Art Auction Results of 290,000 Artists and Other Info
Orientations.Com - A Great Collection of Links to Asian Art Sites
Labels: bangkok art galleries, culture scene, expressionist artists, links, museums

Christ Entry into Brussels by James Ensor (or Sukhumvit & Soi Nana Midnight 2007)
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Three Punters in Antwerp early 1900's by James Ensor (or late night Patpong 2006.......)


Tahitian Girl circa 1900 by Paul Gauguin (or Isan girl at Mona Lisa Ratchada Bangkok 2006........)

Hot Lips by Gronk
(or Isan Girl Soi 33 Sukhumvit Bangkok 2007...)
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Berlin Nightlife early 1900's by George Grosz (or Nana Plaza Bangkok 2006........)
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Berlin Prostitutes early 1900's by Ernst Ludwig Kirchner (or Poseidon Club Bangkok 2006........)

Prostitute Vienna 1900 by Gustav Klimt (or Pegasus Club Bangkok 2006......)
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Punter in Vienna early 1900's by Oskar Kokoschka (or Bangkok Expat on the prowl 2006.............)
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Moulin Rouge demimonde and punter Paris early 1900's by Toulouse-Lautrec (or Renoir Club Soi 33 Bangkok 2006........)

Berlin Nightlife early 1900's by Emil Nolde (or Thigh Bar Patpong Bangkok 2006..........)

Paris Nightlife early 1900's by Picasso (or CM2 Club Bangkok 2006.........)

Prostitute Paris early 1900's by Picasso (or Picasso Bar Bangkok 2006............)

Five Prostitutes from the brothel on Avignon Street in Barcelona frequented by Picasso (or Eden Club Bangkok 2006.............)
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Berlin Nightworkers early 1900's by Karl Schmidt-Rottluff (or late night Sukhumvit Road Bangkok 2006.....)
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Vienna Punter early 1900's by Egon Schiele (or Goya Bar Bangkok 2006.....)

French Dance Hall 1900 by Vincent van Gogh (or Nana Disco Bangkok 2006.....)
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Dancer at the Rat Mort nightclub Paris early 1900's by Maurice de Vlaminck (or Thermae Bangkok 2006....)
Labels: art, expressionism, expressionist artists, expressionist paintings
Hof Art: Bangkok's latest and most trendy new gallery on Ratchada Road - (www.hofart.net)
Diacritic.Org: R.Streitmatter-Tran's lively blog on Southeast Asia Art Scenes - (www.diacritic.org)
NaphoArt Gallery showing the work of interesting Thai Artist Nantana Phonak - (www.naphoart.com)
Art Galleries in Bangkok, Thailand - (www.rama9art.org)
ThailandMuseum.com - Links to All the Museums in Thailand - (www.thailandmuseum.com/en_map.htm)
Thailand Art History Links by Christopher Witcombe - (www.witcombe.sbc.edu)
Art Galleries and Museums in Bangkok and Thailand from ThailandPage.com - (www.thailandpage.com)
Rama9Art.Org Bangkok Thailand Art Scene Info - (www.rama9art.org)
Verver Gallery and Web Magazine Bangkok - (www.verver.info)
100 Tonson Gallery - (www.100tonsongallery.com)
Teo + Namfah Gallery - (www.teonamfahgallery.com)
Art Room Gallery - (www.art-room-gallery.com)
Project 304 - (www.project304.org)
La Lanta Gallery - (www.lalanta.com)
Thai Fine Art Gallery - (www.thai-fine-art.com)
Art Bangkok - (www.artbangkok.com)
44 Arts Thailand - (www.44artsthailand.com)
Queen Gallery - (www.queengallery.com)
Thai Art Project - (www.thaiartproject.org)
Neilson Hays Library Rotunda Art Gallery - (www.neilsonhayslibrary.com/rotunda.htm)
Bangkok Artgazine - (www.artgazine.com)
Art Cafe Thailand - (www.artcafe-thailand.com)
Asia Art Mart - (www.asiaartmart.com)
Folk Art Thailand - (wwwfolkart.com/se-asia/thailand)
ERA Art Portal Thailand - (www.era.su.ac.th)
Akko Art Gallery Bangkok Thailand - (www.akkoartgallery.tripod.com/Bangkok/index.htm)
Art at Play Gallery in Bangkok's Silom District - (www.artatplay.com)
H Gallery Bangkok Thailand - (www.hgallerybkk.com)
Liams Gallery - (www.iamsgallery.com)
Kexin Art Gallery Bangkok Thailand - (www.kexinart.com)
La Luna Gallery Bangkok Thailand - (www.lalunagallery.com)
Somjai Reiss Gallery Bangkok - (www.thaipainting.com)
Tang Gallery Bangkok: Contemporary Art from China - (www.tanggallery.com)
Thavibu Gallery Bangkok Thailand - (www.thaivibu.com)
Art4D.com: English Language Web Magazine Featuring Trends in Thai Art and Design - (www.art4d.com)
Asia-Art.net: Contemporary Thai and Asian Art Info - (www.asia-art.net)
Art Magazine Links from ArtThailand.net - (www.artthailand.net/articles_links.php)
Labels: art, art gallery, Bangkok, galleries, links, Thailand
Bangkok Inside Out by Daniel Ziv and Guy Sharett from Equinox Publishing
(Bangkok Inside Out is a very perceptive and witty look at the trendy modern side of Bangkok in all its funky glory)
Vincent Calvino, Christopher Moore's Bangkok Expat Private Eye Website
www.NotTheNation.com: a lively satirical take on the Thai political and cultural scene
www.bangkokrecorder.com: Trendy Webzine Guide to Bangkok Art, Music, Culture Scene
www.ThaiPoppers.Com: Weekly Guide to Bangkok Pop Music Scene
James Eckhardt, Author of BANGKOK PEOPLE
Roger Beaumont, Author of humorous books about Thailand
Stephen Leather (author Bangkok Noir novels PRIVATE DANCER & COLD KILL) - (www.stephenleather.com)
Thai Literature in Translation Website - (www.thaifiction.com/english/list.html)
Asia Books Online Bookstore for Thailand Related Books and Authors - (www.asiabooks.com)
Bangkok Post, an entertaining English Language Newspaper in Bangkok - (www.bangkokpost.com)
AARA - (www.yipintsoi.com/~aara/news.html)
Bangkok2's Blog - (www.bangkok2.com/blog/)
Bangkok Noir Blog - (www.bangkok-noir.blogspot.com)
AboutTV Thai Art Channel - (www.superchannel.org/Home/Profile/Channels/ABOUT)
art4d Blog - (www.art4d.com/blog)
diacritic Blog on Vietnam and Southeast Asia art scene - (www.diacritic.org/blog)
Beauty Suit Blog - (www.beautysuit.blogspot.com)
www.FarangOnline.com & www.Untamed-Travel.com - Ironic and witty cultural collision take on contemporary Thailand and Asia
Speechless in Bangkok Blog - (www.speechbkk.blogspot.com)
BKK to the Future Blog - (www.bkkfuture.blogspot.com)
The Bob Boonhod Blog - (www.boonhod.blogspot.com)
Platform BKK - (www.bangkok.typepad.com/platform)
The Land News Blog - (www.thelandnews.blogspot.com)
Som's Other World Blog - (www.sutthjirat.blogspot.com)
Angkrit's Blog - (angkrit.blogspot.com)
Pated Blog - (www.pated.wordpress.com)
Labels: art, Bangkok, blogs, culture scene, links, literature, Thailand
Metropolitan Museum of Art New York
Lenbachhaus Museum Expressionist Art Munich
National Museum Bangkok Thailand
Neue Galerie Museum of Expressionist Painters New York
Norton Simon Museum Los Angeles
Expressionist Paintings at Portland Maine Museum of Art
Links to Art Museums Around the World from Saatchi Gallery
World Art Museum Links from ArtThailand.net
Labels: art museum, links
Kwai Fung Hin Art Gallery Hong Kong
Plum Blossoms Art Gallery Hong Kong
asiArt.com Vietnamese Artists Gallery
Kicon Vietspace Vietnamese Artists Resource
VietnamArtBooks.Com Vietnamese Artists Resource
Myanmar Gallery of Contemporary Art Singapore
Asian Art Gallery and Resources Links from ArtThailand.net
Labels: art galleries, Asia, links
Art Galleries in Munich, Germany
Art Galleries in London, England
Links to American Art Galleries, Openings and Shows in USA
Links to Art Gallery Openings and Shows in London and UK
Links to Art Gallery Openings and Shows in Germany
Links to Art Galleries, Openings and Shows in Paris and France
Art Galleries in Los Angeles, California
Art Galleries Bergamot Station Santa Monica, California
Art Galleries in Bangkok, Thailand
Timothy Yarger Fine Art Gallery in Bangkok and Beverly Hills
Leslie Sacks Gallery in Los Angeles
Links to Art Galleries and Art Dealers Around the World from Saatchi Gallery website
Labels: art galleries, links
Christie's Art Auction House Website
AbsoluteArts.ComArt History Resources on the Web: Art Links by Christopher Witcombe
ArtIndustri.com, Directory of Artists, Art Movements, Art Info, Art Supplies
Arts5.Com Art Links and Resources Site
Art Schools and Art Colleges Links from Saatchi Gallery
Gallery Worldwide Art Rsources and Links
Art Resources Links from ArtThailand.net
Links to UK and Europe Art Related Publications and Media
YourArt.Com Artists Links Site
ArtPrice.com - 3.2 Million Art Auction Results of 290,000 Artists and Other Info
Orientations.Com - A Great Collection of Links to Asian Art Sites
Labels: art auctions, art resources, links